Jul 092015
 

Capture In spite of all the complaints you hear out there, Amazon’s KDP select may still be worth it. And as the title suggests, that’s for one reason – advertising.

I’ve played with ads for my books on Goodreads and Facebook, but the success has been unimpressive. Amazon, however, makes sense. Only KDP books can be part of it, so you know right there who your competition is.

So how does it work? Continue reading »

May 042015
 
Signing with a publisherIt’s been about two weeks now since I signed with my first fiction book publishing contract, and now I am preparing to possibly sign with a publisher for one of my non-fiction books. It is an exciting time, and I want to bring up some considerations for others at this crossroads.

1. Freedom versus collaboration

When self-publishing, you take on a lot of the risk, but you also have freedom. You can do price promotions when you want, decide on your cover and all that jazz, but you have to be serious about the details. Plus, you can publish immediately! Small presses take anywhere from 3 months to 3 years to get your book out there.
When working with a publisher, there is a risk that they may do something you don’t like, but it’s also more likely that they have a better idea of what they are doing than you would if you were to do it yourself.

2. Marketing and cross-discoverability

 Having someone out there with a known name marketing your book will likely lead to enough sales to make up the difference in royalties you’ll be losing to your publisher. However, I have heard a lot of stories of small-press publishers NOT doing any real marketing – so make sure to know what you are getting into.
There’s a chance that, when publishing with a traditional publisher, someone may discover your book by clicking on another book by your publisher and going to their website.

3. You can always self-publish other books

 Just because you go with one publisher, it doesn’t mean you always have to go that route. But beware that a lot of contracts will have stipulations, such as the right to consider your next book. Some authors prefer to be self-published, others traditionally published. Some, as is the case with me, like the idea of being a “Hybrid Author,” both traditionally- and self-published. It’s like splitting in Blackjack (is it? I actually don’t understand the game that well, but you get the point).

4. Traditional publishing still carries more weight

 Some of us may not like to admit it, but traditional publishing still carries a certain level of prestige that self-publishing may not. Yes, most people just see your book on Amazon (Nook, etc.) and think it’s awesome you published a book, but if you meet someone at a writers conference or agent pitch fest or whatnot and they ask if you are self-published, you may see interest drop when you say yes. That used to be me (sorry!). My co-blogger here shared stories with me as well, where she met folks who said skeptically “Oh, you’re published?” and only showed real interest when they learned she wasn’t self-published. Unfortunately, a lot of people self-publish works full of issues, so you can’t totally blame the skeptics.
So if it’s the prestige you are after, considering going traditional with at least one of your books.
If you would like to follow my book publishing progress, you can find several of my self-published novels on Amazon, to include Teddy Bears in Monsterland and Back by Sunrise. My literary novel Mohira will be published when the publisher is ready!
Mar 122015
 

“You don’t have to,” said Marci, with an affect that made it impossible for Davis to know whether it was being uttered out of sincerity, or more as a disclamation to have to reciprocate such favors some day in the future. Either way, it mattered not. It was a small price to pay to shake off any stodgy reservations that his newly appointed division support assistant might have had regarding her assignment to the company’s Topeka branch. Over lunch (she had had the chicken dumpling soup and a salad; he, a chicken cordon bleu sandwich, fries and Sierra Mist), Davis had detailed for her his own odyssey from mailroom clerk in the company’s Boston flagship office, to Administrative Assistant in Danbury, to Administrative Assistant Coordinator and later Client Relations Specialist in Charlotte, to Facility Manager and Administrative Assistant Manager at the Minneapolis branch, before finally landing the Division Supervisor gig in Topeka. Continue reading »

Jan 252015
 

TP“Snuffleupagus always kinda freaked me out,” Atkins said, looking out the restaurant window to the street where a cop had just pulled over a guy in a gray Nissan. “Not him, per se. I think it was his entrance music. That sort of dragging, swaying, shambling music that seemed to strike-up out of nowhere. Think about how unsettling it’d be to think that some shaggy, over-medicated, mastodon-ish creature could just appear out of nowhere and address you with this apparent, soul-tingling kind of disinterest. If you watch closely, you can almost guarantee that the other characters had the same oh shit kind of feeling about Snuffleupagus, too. They all kind of stand there for a second with these blank expressions and for just a moment, it’s like they feel some sort of mortal dread to see him standing there. Good old Gordon always had a way of seguing any awkward situation into something that seemed somehow relevant and all-inclusive. It seemed like he could defuse any situation.”

“Man, it was Tiny Tim, for me. Jesus, man. I mean, what the fuck…? That buzzing mosquito falsetto voice. Long, stringy sea-hag hair. There was just something about him that made me feel like I had been, I don’t know, victimized by him in some past life. Like I somehow knew what it felt like to have his hot, rancid breath panting on the back of my neck. Christ.”

“Tiptoe through the Tulips.”

“Nevermind Tiptoe through the Tulips. Ever hear his cover of The Doors’ People are Strange? Or that one song, “Little Girl”? Where he wants to know where some little girl is sleeping and then asks her if it’s in some trees or some shit?”

Each turned to watch the cop as he was walking back to his patrol car with the motorist’s license and vehicle paperwork in hand.

“That guy looks pissed,” Atkins remarked.

“The cop?”

“No, the driver.”

“I don’t know…Tiny Tim, man. And that Dating Game killer guy looked just like him. Some freaky dudes in this world, man.”

“Here’s one for ya: Edward Muscare. Ever heard of him?”

Roberts shook his head.

“Edward Muscare…Oh, Pretty Woman. Google it, you’ll see.”

When the cop returned to the Nissan, each tried to determine if the driver, based on his facial expression, was getting a ticket, but the cop was blocking their view of him.

Yet another one of those things they’d never know the answer to.

Oct 092014
 
dscn5448-archive-reading-room1

Re-writing history requires intense research.

Grounded in my Jewish heritage, choosing to write about the Holocaust was never the question. It was how to approach it. I wanted to create something more meaningful than the recitation of facts and figures. Those brutalized by of one of history’s greatest crimes against humanity were more than nameless, faceless numbers. They deserved to be experienced as human beings. Breathing life into fictional characters to enact their stories, the voices of real people who had experienced historic events in actual places became the narrative. Stepping outside the role of WRITING history to relating its stories, my task shifted to RE-writing history. Continue reading »

Jul 062014
 

People watching and character developmentPeople-watching. It’s a never-ending source of inspiration for fiction writers who might find themselves in need of some good source material. If, like us, you abide by the somewhat cliché notion that everyone’s got a story to tell, then what better place to peruse the wall-to-wall supply of living, breathing, fictional rough drafts than in a shopping center? Continue reading »

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