Jan 252015
 

TP“Snuffleupagus always kinda freaked me out,” Atkins said, looking out the restaurant window to the street where a cop had just pulled over a guy in a gray Nissan. “Not him, per se. I think it was his entrance music. That sort of dragging, swaying, shambling music that seemed to strike-up out of nowhere. Think about how unsettling it’d be to think that some shaggy, over-medicated, mastodon-ish creature could just appear out of nowhere and address you with this apparent, soul-tingling kind of disinterest. If you watch closely, you can almost guarantee that the other characters had the same oh shit kind of feeling about Snuffleupagus, too. They all kind of stand there for a second with these blank expressions and for just a moment, it’s like they feel some sort of mortal dread to see him standing there. Good old Gordon always had a way of seguing any awkward situation into something that seemed somehow relevant and all-inclusive. It seemed like he could defuse any situation.”

“Man, it was Tiny Tim, for me. Jesus, man. I mean, what the fuck…? That buzzing mosquito falsetto voice. Long, stringy sea-hag hair. There was just something about him that made me feel like I had been, I don’t know, victimized by him in some past life. Like I somehow knew what it felt like to have his hot, rancid breath panting on the back of my neck. Christ.”

“Tiptoe through the Tulips.”

“Nevermind Tiptoe through the Tulips. Ever hear his cover of The Doors’ People are Strange? Or that one song, “Little Girl”? Where he wants to know where some little girl is sleeping and then asks her if it’s in some trees or some shit?”

Each turned to watch the cop as he was walking back to his patrol car with the motorist’s license and vehicle paperwork in hand.

“That guy looks pissed,” Atkins remarked.

“The cop?”

“No, the driver.”

“I don’t know…Tiny Tim, man. And that Dating Game killer guy looked just like him. Some freaky dudes in this world, man.”

“Here’s one for ya: Edward Muscare. Ever heard of him?”

Roberts shook his head.

“Edward Muscare…Oh, Pretty Woman. Google it, you’ll see.”

When the cop returned to the Nissan, each tried to determine if the driver, based on his facial expression, was getting a ticket, but the cop was blocking their view of him.

Yet another one of those things they’d never know the answer to.

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John Kingston resides in Seattle, Washington. His novel, The Portraits of Gods, was released in January 2015 by Anaphora Literary Press.

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